22 February 2010
Fickle Spirals
05 February 2010
Jana Hengstler
Renaissance
We laid in the tall grass, blanketed by shadows cast by the trees around us, and the setting sun’s red rays blazed through the branches and lit up our faces. Time did not exist that day. Our fingers were intertwined and we spoke about our thoughts; they radiated around us and sometimes caught us by surprise. Chris told me about his experience while I mentioned my innocence. We felt like William Blake singing his songs. So we sang to our hearts’ desires, letting the world around us hear the contents of our imaginations. Our songs filled the heavy air with philosophy and wishes; Chris wished for simplicity and I asked for more time.
When I made my wish, Chris untangled our hands and sat up with a stern look of disappointment painted on his face. I didn’t expect such a reaction, so I shot up and turned to him with a glance dripping of anticipation to find out what I had done wrong. To my surprise, he initially uttered nothing more than a languid sigh of inability. Chris could not, at first, find the words.
A strong silence grew between us while the world’s sounds settled down to a quiet roar and the wind ceased to rustle the leaves on the trees. The sky got darker and darker with each passing second. Finally, after minutes upon minutes had fluttered by without a care for curfews or bedtimes, drops of brutally cold water slid from clouds and drenched him with compassionate thoughts and a severe need to show me his mind and appreciation for time.
“The time allotted to us right now,” he said, “is not important.” Confused at the statement, I slipped back several inches in isolation from the piercing words. “Seconds, minutes, hours; when the sun rises and when it falls hard below the horizon; the tick of the watch on your wrist; none of that matters. This is what matters.” He looked me dead in the eye, drew toward me, and kissed my cheek. “Our time is limited, yes, but don’t think on it. Live for the experience rather than how long it takes to get there.”
Evening Echo
Tainted Glass
23 September 2009
Truth, Autonomy, and the Life Text Creates
Truth is defined as the conformity with fact or reality. But in every matter, truth is based on the interpretations, perceptions and perspectives of each person involved. In reality, how can any of us be wholly truthful if interpretations differ from person to person? What may seem to be of truth to one person may present itself in a polar opposite manner to another person; we can never be “truly truthful” about anything – even ourselves. Since we interpret our own lives differently than outsiders interpret our lives, there is no real way in which we can describe ourselves and still maintain wholehearted honesty. If the mere factor of being oneself is not a liable enough excuse to state that he or she is truthful about himself or herself, then how can anyone be truthful about himself or herself in an autobiography? Autobiographies are documented thoughts, views, and components of someone’s life, written in that someone’s words. The author of an autobiography has the ability to create whatever life about which he or she desires to write, whether that life includes actual experiences from his or her past or people with whom he or she has interacted through the course of his or her life.
Whether or not an author of an autobiography chooses to include past experiences with people in his or her writing, everyone interacts with other people at some point in his or her life. Without the influences of others, no one would be able to exist, let alone live. Everyone with whom one comes into contact has some effect on him or her, regardless of the weight of the effect. One cannot maintain an individual or autonomous existence because everyone is dependent on other people, directly and indirectly. Without others, an author could not write, period; let alone recount on anything of any interest on which he or she could write. If an author does include the people who have affected him or her, though, there is still the interpretation variable.
If interpretation is the true basis on which truth is determined, then text could, in no way, come from life. There are too many components in one’s life to include in one sitting and along with the components, there are the perceptions of that life. Thus, lived lives do not spawn text, but rather text spawns life. Life has its influence on the content of autobiographies, but autobiographies present new life and an infinite amount of events for people to, once more, interpret.
21 September 2009
Bare Skin
18 June 2009
Secrets
14 June 2009
Ancillary
13 June 2009
JAMIE WROTE THIS!!: Thomas the Tank Engine
12 June 2009
Forbidden Fruit
28 May 2009
Not the First Time This Has Crossed My Mind
If I were you, I would repent –
And I’m not even a Christian.
But damn it, son, your ways prevent
Anything significant
From exiting your orifice.
You might as well have shoved your fist
Down your fucking throat, and this
Is getting quite vexatious.
You illustrate a mannerism
Of – what do we call it? – masochism.
And honestly your malice
For every single one of us
Exasperates and agitates
And aggravates, infuriates
Not only I, but he and she
And we can all agree on this:
You’re pretty much a selfish bitch.
Vocabulary Story (Yes, I know what soup is)
It was 6:32 a.m. when Amyrose's mom knocked on her bedroom door to wake her up. When there was no response, Amy's mom forcefully turned the door knob, pushed the port forward and stomped to the end of the bed. "Get up and get ready for school," Mrs. Stephens said. Amy simply replied with a languid groan. "Get your ass up," Mrs. Stephens bellowed without restraint. "Mom, I'm sick!" Amy pulled her comforter over her face, but she wasn't sick at all. She feigned an illness in order to get away with skipping school today. "I'm sorry, baby! Let me fix you some soup," said Mrs. Stephens. She left the room and fixed a large bowl of that liquid food of vegetables and chicken broth for Amy. When Mrs. Stephens returned to Amy's room, Amy was sitting up, texting and laughing. "You're not sick," exclaimed Mrs. Stephens. Without a moment of silence after her mom's statement, Amy quickly declared her hatred for her. Amy's rancor for her mother has always been prominent, though. So the statement came as no surprise. In a swift and impassive motion, Mrs. Stephens grabbed Amy's arm and pulled her out of her bed. She mad her apathy for Amy's "sickness" evident when she threw her book bag at her, left the room and yelled, "We're going!"